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  31 Days, Day 31: Nocturnal Animals Sing About the Demons in their Heads in “The Haunting”

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  31 Days, Day 31: OBLIVION is a Perfect Ending to the PHANTASM Series

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  31 Days, Day 30: Dig Into the Ithaca Fantastik Film Festival

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  31 Days, Day 30: PHANTASM 3 Now Available from Well Go USA

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  31 Days, Day 29: Artsploitation’s TRAUMA is Real Extreme Horror Cinema

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  31 Days, Day 29: 1963’s THE HAUNTING and the Challenge of Adapting Great Fiction

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  31 Days, Day 29: PHANTASM 2 aka “Quadruple Barrel Shotgun: The Movie”

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  31 Days, Day 28: Blaine’s PHANTASM Retrospective, Part 1

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  31 Days, Day 27: THE LAST HOUSE ON THE LEFT is “Only a Movie”… or Is It?

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  31 Days, Day 25: Kenny Warns to Stay Away from Ouija Boards

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  31 Days, Day 24: The 10 Best TV Episodes for Halloween

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  31 Days, Day 23: BURIED ALIVE 2018 Full Schedule and Ticket Info

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  31 Days, Day 22: Stigmata, Bava Influence, and the Antichrist in WELCOME TO MERCY

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  NMM SoundBytes: WE ARE THE CATALYST’s “Predators”

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  31 Days, Day 19: James Best is Back in RETURN OF THE KILLER SHREWS

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  31 Days, Day 18: Richard’s BHFF Experience, Part I – TUMBBAD and BOO!

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  31 Days, Day 16: Terror TWOsdays BHFF Edition – BOO! and THE CLOVEHITCH KILLER

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  31 Days, Day 15 – BHFF 2018: EMPATHY INC is BEING JOHN MALKOVICH for the BLACK MIRROR Crowd

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  NMM SoundBytes: Weather McNabb Says “Good Morning”

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  31 Days, Day 14 – BHFF 2018: SLAYED Presents a Voice in Horror for the LGBTQ Community

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  31 Days, Day 14 – DETECTIVE K: SECRET OF THE LIVING DEAD

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  31 Days, Day 13: DEAD GIVEAWAY is Dark Indie Comedy Done Right

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  31 Days, Day 13 – BHFF 2018: Identity Theft Gone Wild in Blumhouse’s CAM

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  31 Days, Day 12: GONJIAM is Found Footage That Maybe Should Have Stayed Lost