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  31 Days, Day 19: James Best is Back in RETURN OF THE KILLER SHREWS

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  31 Days, Day 18: Richard’s BHFF Experience, Part I – TUMBBAD and BOO!

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  31 Days, Day 16: Terror TWOsdays BHFF Edition – BOO! and THE CLOVEHITCH KILLER

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  31 Days, Day 15 – BHFF 2018: EMPATHY INC is BEING JOHN MALKOVICH for the BLACK MIRROR Crowd

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  31 Days, Day 14 – BHFF 2018: SLAYED Presents a Voice in Horror for the LGBTQ Community

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  31 Days, Day 14 – DETECTIVE K: SECRET OF THE LIVING DEAD

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  31 Days, Day 13: DEAD GIVEAWAY is Dark Indie Comedy Done Right

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  31 Days, Day 13 – BHFF 2018: Identity Theft Gone Wild in Blumhouse’s CAM

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  31 Days, Day 12: GONJIAM is Found Footage That Maybe Should Have Stayed Lost

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  31 Days, Day 11: Patrick Grant’s Spooky and Strange Re-Release

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  31 Days, Day 10: There’s a WITCH in Josh’s WINDOW

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  31 Days, Day 8: Good Golly, Miss MOLLY

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  NMM SoundBytes: The Slang Asks “Is It Any?”

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  31 Days, Day 6: Blaine Learns THE ART OF THE SCARE from HAUNTERS

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  Previewing BHFF 2018 Part 4: A Look at Luke Jaden’s BOO! (31 Days, Day 5)

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  31 Days, Day 4: Style Meets Substance in THE GUEST

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  31 Days, Day 3: EXTREMITY Makes McKamey Look McTamey

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  BURIED ALIVE FILM FESTIVAL Announces 2 Special Events

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  Previewing BHFF 2018 Part 3: A Brief Chat with ANTRUM’s Mike and David (31 Days, Day 3)

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  31 Days, Day 2: Clark Freeman Opens Up on TWITW and More

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  31 Days, Day 2: HELLFEST Bombs at the Box Office, But Not in Blaine’s Heart

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  31 Days, Day 1: HELL HOUSE LLC Returns with ABADDON HOTEL

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  31 Days of Halloween is Back!

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  NMM SoundBytes: Alien Country’s “Remedy (Remix)”