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  Breathtaking and Beautiful, the New Album from Indie Electronic Duo LEDGES

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  Victims and Villains Reviews HOTEL TRANSYLVANIA 3: SUMMER VACATION

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  AGFA and Something Weird Release GODMONSTER OF INDIAN FLATS

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  ANOTHER WOLFCOP May Not Be the Sequel We Wanted, But It’s the Sequel We Deserve

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  Beauty and Brutality from The Blue Collar Army

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  Be Kind Rewind: MVD Kills with ABOMINABLE

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  A Taste of Potential, a Taste of Disappointment, A TASTE OF PHOBIA

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  NMM SoundBytes: Check out “Howling” from the new Wild Rivers EP, EIGHTY-EIGHT

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  Weekend Soundtrack: The Alt-Rock Sound of Pale Blue Dot’s ANATOMY

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  New Music Monday: Like Wilco? Try Strange Culprits!

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  The Thirds: Dork Rock be Thy Name

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  Cinepocalypse 2018: Whatcha Gonna Do When THE COP BABY Comes for You?

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  Cinepocalypse 2018: SATAN’S SLAVES is Pure Horror

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  Cinepocalypse 2018: Everyone Must Stay Inside and AWAIT FURTHER INSTRUCTIONS

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  Cinepocalypse 2018: Celebrate a New Era in Urban Legends with THE BILL MURRAY STORIES

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  With EXPONENTS, Agency Declare Themselves the Name and Face of Alternative Soul

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  Cinepocalypse 2018: Bang Your Head with HEAVY TRIP

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  An Extended Father’s Celebration with LIKE FATHER LIKE SON

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  Plans Derailed En Route to the TERMINAL

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  Wulijimuren Rocks Instrumentally with His Latest Full Length, SUN OF UTC+8

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  Where Flamenco, Jazz, and Trip Hop Meet: James Labrosse’s ORANGE NIGHTS

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  Victims and Villains Reviews THE INCREDIBLES 2

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  Snailmate Channels a Truly Bizarre and Creative Energy with EXISTENTIAL ANXIETY

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  TTCFF 2018: Exploring the Black Experience Through Real Life Tragedy in MY NAME IS MYEISHA

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  TTCFF 2018: THE STRANGER Uses Shocking Reveals and Experimental Storytelling to Stand Above the Pack

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  TTCFF 2018: Skye Borgman’s True Crime Documentary ABDUCTED IN PLAIN SIGHT

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  ASTRAL CLOUD ASHES Reminds That “Emo” is Not a Bad Word

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  Victims and Villains Reviews TINY SHOULDERS

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  The Darts New 7″: Kate’s New #1 with a “Bullet”

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  Dread Central Presents Continues to Create a Very Unique Brand with Release of THE LODGERS

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  Penn and Tell’Em: Rifkin and Jillette Pair Up for DIRECTOR’S CUT

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  Alex Garland Annhilates the Competition

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  THE MOST DANGEROUS YEAR is a Powerful Look at Transgender Rights

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  Marty Thompson Kicks it Off with “A Thud”

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  LIQUID SKY is Fucking Weird… Like Really Fucking Weird

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  Victims and Villains Reviews DEADPOOL 2

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  SCHLOCK and the Legacy of John Landis

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  Victims and Villains Reviews GHOUL SCHOOL