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  NMM Sound Bytes: Be Human and “Be Awesome”

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  RiverRun 2018: It Feels Like YOUTHMIN is a Film That was Literally Made for Me

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  Victims and Villains Reviews AVENGERS: INFINITY WAR

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  DOWNRANGE Joins Shudder… and You Should Too!

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  Terror TWOsdays: TELEVISION TRAUMA and SHOW YOURSELF

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  BURIED ALIVE FILM FESTIVAL Wants Your Most Bizarre and Creepy Submissions Now

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  Interesting Premise, Good Acting, No Payoff: Welcome to THE DEVIL’S WELL

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  SHOW YOURSELF is a Mixed Bag That Deeply Entertains Despite Its Flaws

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  RiverRun 2018: The Psychological Trauma of Scottish Horror RETREAT

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  Horror Punk is Still Alive and Well… or, perhaps, Undead and Well

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  Celebrate National Marijuana Day with THE 4/20 MASSACRE

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  Victims and Villains Reviews SUICIDE SQUAD: HELL TO PAY

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  Terror TWOsdays: PYEWACKET and #SCREAMERS, Two New Horror Films Worth Checking Out

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  CFF 2018: The British are Coming… as Ghosts… in GHOST STORIES

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  Hey Indie Kid, Babbling April’s HOLY GOLD is Your New Favorite Album

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  MONDAY: Alejandro Montoya Marin is a Rebel Without a Crew

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  CFF 2018: Liar, Liar, SOCKS ON FIRE

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  CFF 2018: Brian Lonano’s BFF GIRLS is a Bizarro Bloody Mess

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  Victims and Villains Reviews RAMPAGE

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  Another take on Greg Travis’s NIGHT CREEP

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  STOPPING TRAFFIC is a Crash Course in the Horrors of Human Trafficking That Asks the Question “What Can You Do to Help?”

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  CFF 2018: SUMMER OF 84 is the Latest 80s Nostalgia Vehicle

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  THE UNQUENCHABLE THIRST FOR BEAU NERJOOSE: Not Your Average Dick and Balls Musical

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  Victims and Villains Reviews A QUIET PLACE

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  AGFA’s Release of BAT PUSSY Reminds Us that Porn Doesn’t Have to Be Sexy… Like Not at All

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  BUFF 2018: Issa Lopez Channels del Toro in TIGERS ARE NOT AFRAID

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  Victims and Villains Reviews COP #2 (Volume One)

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  BUFF 2018: Her Name is MYEISHA and She has an Important Story to Tell