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  Previewing BHFF 2018 Part 2: Talking with EMPATHY INC Director Yedidya Gorsetman

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  Kenny Asks if AGP: SACRIFICE is More than Gore for Gore’s Sake

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  PUPPET MASTER Returns to Blu-Ray with THE LITTLEST REICH

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  Previewing BHFF 2018 Part 1: Talking with Programmer Joe Hernandez

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  Science Gone Wrong Gone Scary in SLEEP NO MORE

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  NMM SoundBytes: “The Hidden Root”

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  Can Evrenol Solidifies His Reputation as the Architect of Hell with HOUSEWIFE

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  DANGER DIVA is Weird, Fun, and Worth the Ride

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  HEAVY TRIP: The Adventures of the Lovable Scamps of “Impaled Rektum”

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  Terror TWOsdays PUFF 2018 Edition: Witches and Devils Invade Blaine’s Living Room

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  Snider’s FOR THE LOVE OF METAL Reminds Us That Dee Can Still Rock

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  REVENGE Presents the Rape/Revenge Film Through the Eyes of a Female

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  PUFF 2018: The Festival Closes with Sexorcism, Philadelphia, and Peeping Tom

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  PUFF 2018: The Third Day is the Charm

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  PUFF 2018: DERELICTS is Sleazy, But Maybe Not Sleazy Enough

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  NMM SoundBytes: “Time” is on AMERICAN AMNESIA’s Side

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  War Really is Hell in RLJ’s TRENCH 11

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  SONG OF SOLOMON Brings its Bloody Blasphemy to Blu-Ray

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  PUFF 2018: Day 2 is Even More BIZARRE than Day 1

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  PUFF 2018: Garrett Gets WEIRD – Day 1 Recap

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  PUFF 2018: This Year’s Closing Film, LUCIFERINA, is Set to Bring the House Down

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  PUFF 2018: Joe Badon’s THE GOD INSIDE MY EAR

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  North Bend 2018: Hip Hop Culture Meets Tragedy in MY NAME IS MYEISHA

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  Crushwater Blends Folk, Rock, Pop, and More on THE CACTUS STORM