• 

  Previewing BHFF 2018 Part 2: Talking with EMPATHY INC Director Yedidya Gorsetman

• 

  Kenny Asks if AGP: SACRIFICE is More than Gore for Gore’s Sake

• 

  PUPPET MASTER Returns to Blu-Ray with THE LITTLEST REICH

• 

  Previewing BHFF 2018 Part 1: Talking with Programmer Joe Hernandez

• 

  Science Gone Wrong Gone Scary in SLEEP NO MORE

• 

  NMM SoundBytes: “The Hidden Root”

• 

  Can Evrenol Solidifies His Reputation as the Architect of Hell with HOUSEWIFE

• 

  DANGER DIVA is Weird, Fun, and Worth the Ride

• 

  HEAVY TRIP: The Adventures of the Lovable Scamps of “Impaled Rektum”

• 

  Terror TWOsdays PUFF 2018 Edition: Witches and Devils Invade Blaine’s Living Room

• 

  Snider’s FOR THE LOVE OF METAL Reminds Us That Dee Can Still Rock

• 

  REVENGE Presents the Rape/Revenge Film Through the Eyes of a Female

• 

  PUFF 2018: The Festival Closes with Sexorcism, Philadelphia, and Peeping Tom

• 

  PUFF 2018: The Third Day is the Charm

• 

  PUFF 2018: DERELICTS is Sleazy, But Maybe Not Sleazy Enough

• 

  NMM SoundBytes: “Time” is on AMERICAN AMNESIA’s Side

• 

  War Really is Hell in RLJ’s TRENCH 11

• 

  SONG OF SOLOMON Brings its Bloody Blasphemy to Blu-Ray

• 

  PUFF 2018: Day 2 is Even More BIZARRE than Day 1

• 

  PUFF 2018: Garrett Gets WEIRD – Day 1 Recap

• 

  PUFF 2018: This Year’s Closing Film, LUCIFERINA, is Set to Bring the House Down

• 

  PUFF 2018: Joe Badon’s THE GOD INSIDE MY EAR

• 

  North Bend 2018: Hip Hop Culture Meets Tragedy in MY NAME IS MYEISHA

• 

  Crushwater Blends Folk, Rock, Pop, and More on THE CACTUS STORM

• 

  NMM SoundBytes: Jared Weiss’s “Isolated Thunderstorms”

• 

  Jenn Wexler’s Punk Rock Palate Cleanser, THE RANGER