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  New Music Monday: Big Curve Says COVER ME UP

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  UNFORTUNATELY, Life’s Too Expensive for STEVEN

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  BANQUET: Not a Quite Full Meal, But Still a Thought-Provoking Appetizer

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  Gaming’s Scariest Moments, Issue #8: Bart’s Department Store from CONDEMNED: CRIMINAL ORIGINS

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  New Music Monday: Celebrate Halloween in the Spring with “Pumpkin Man”

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  SoundBytes: CosmopolisRadiates Maturity with New Music Video for “Nixon-Mason”

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  UFF 2022: Triple G Comes to Life in MY INNER DEMON

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  Sickpay’s PUREOCRACY: Punk Rock Anthems from Student of the Genre

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  Frank Cogliano’s Stunning Vision Impresses Via COMPUTERS OF THE WORLD

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  UFF 2022: THE COLLINGSWOOD STORY and DEADWARE Tell Tales of Old Tech and Fresh Scares

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  SoundBytes: Swansgate Visits the “Island of Lies”

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  Wisdom From the Mouths of Babes: SILENT NIGHT’s Child Prophet

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  Talking THE EXORCISM OF GOD with Writer/Director Alejandro Hidalgo

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  “Do You” Like Hip-Hop, Jazz, and Soul? Perry’s Got You Covered

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  UFF 2022: What the Hell is a Dark Web Mystery Box? or CURSE OF AURORE

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  UFF 2022: The Unpleasant Journey of MASKING THRESHOLD

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  UNNAMED FOOTAGE FEST is Back and Bigger than Ever!

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  TRIBAL HOUSE CREW Drops a Few Tabs of “Afro-Acid”

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  Julia Pratt Give a New Spin to a “Tried and True” Musical Formula

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  NMM SoundBytes: Ad Vanderveen Plays His “Air Guitar”

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  Port Nasim Blends Prog and Alternative to Create Their Own MURKY GREY Rock Sound

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  Arnab Leads You “This Way” Down the Jazzy Streets of Sydney

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  Japanese Virtuosos Rock of Asia Blend Modern Folk, Rock, and Traditional Native Music to Create a Musical Journey

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  ISOYC Issue #2: Chance is the Most Dangerous Criminal in WE ARE THE FLESH