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  Andy Mitton’s THE HARBINGER is True Pandemic Horror

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  CALLING NURSE MEOW: Troma Style By Way of the UK

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  MEAN SPIRITED Blends Laughs and Scares at SCREAMFEST 2022

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  INSTANT KARMA Creates Instant Joy

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  BANQUET: Not a Quite Full Meal, But Still a Thought-Provoking Appetizer

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  UFF 2022: Triple G Comes to Life in MY INNER DEMON

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  UFF 2022: THE COLLINGSWOOD STORY and DEADWARE Tell Tales of Old Tech and Fresh Scares

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  Wisdom From the Mouths of Babes: SILENT NIGHT’s Child Prophet

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  Talking THE EXORCISM OF GOD with Writer/Director Alejandro Hidalgo

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  UFF 2022: What the Hell is a Dark Web Mystery Box? or CURSE OF AURORE

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  UFF 2022: The Unpleasant Journey of MASKING THRESHOLD

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  UNNAMED FOOTAGE FEST is Back and Bigger than Ever!

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  ISOYC Issue #2: Chance is the Most Dangerous Criminal in WE ARE THE FLESH

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  Syndrome Selects Volume 2: CURFEW and SHALLOW GRAVE

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  Shudder’s SUPERHOST is a Fantastic Horror Flick for the AirBNB Age

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  ISOYC Issue #1: HENRY Spits on Your Cinema

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  BEST OF 2021: Top 5 Horror Films of 2021

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  CFF 2021 Closes with BROADCAST SIGNAL INTRUSION

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  CFF 2021: Lesbian Vegan Couple Searches for Dog in THE CARNIVORES

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  CFF 2021: Obsession, Madness, and Driving School – A Look at BLOODSHOT HEART

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  CFF 2021: ALIEN ON STAGE is All About Passion

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  CFF 2021: Looking at DIMLAND’s Imaginary Friends and Subdued Melancholy

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  CFF 2021: Exploring Folk Horror with the Comprehensive WOODLANDS DARK AND DAYS BEWITCHED

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  CFF 2021: WE’RE ALL GOING TO THE WORLD’S FAIR