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  The Ghosts of Searchlight Arise from the Dead with SPRAWL

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  The Nylon Admirals Will Sink Their “Butcher’s Hook” Into You

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  The Cinematic Vision of Montreal’s Tanuki Project

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  Vectralux: A Made Up Word with Real Infectiousness

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  3D the Boss Wants You to “Push It” in More Ways than One

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  NMM SoundBytes: When It Comes to Tawni, I Have a Bias

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  BEST OF 2021: 10 Best Metal Albums of the Year

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  NMM SoundBytes: Doom and Destruction, VANNON Be Thy Name

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  Christmas Eve Jams for People Sick of Christmas Music: Louise Aubrie’s “Ours”

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  Taking a Little Down Time with Marc-E

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  NMM SoundBytes: Noveliss Climbs the “Cold Mountain” with Dixon Hill

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  Sailing Away from the “Misty Shore” to the ARKTIK LAKE

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  Blake Red’s “The Darkness” Channels PJ Harvey and Poe in the Best Ways Possible

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  Classical Meets Prog Rock When Pittsburgh’s Beo String Quartet Revisits Their Ghosts

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  Sines Says, “Don’t Bore Us, Get to the Chorus”

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  Peter Karroll Sings a Powerful Tune About “Coming Home”

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  Cruisin in a ’69 CAMARO with Seneko

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  NMM SoundBytes: Kong Gets Squanky on “Know End Insight”

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  Thankful for the Groove: Har’Monique Takes Over

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  NMM SoundBytes: “Le Petite Mort” is House Influenced, Shoegaze Inspired, Lo-Fi Post-Punk

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  Psych Rock Psaturday: Zack Oakley Takes You Away to the BADLANDS

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  “Hope Springs” Us into the Weekend with Tenuous Threads

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  Celebrity Warship Culture: “Bill Hader” Never Rocked So Hard

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  Funk Up Your Weekend with Disaster Relief