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  Vectralux: A Made Up Word with Real Infectiousness

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  3D the Boss Wants You to “Push It” in More Ways than One

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  NMM SoundBytes: When It Comes to Tawni, I Have a Bias

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  ISOYC Issue #1: HENRY Spits on Your Cinema

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  BEST OF 2021: Top 5 Horror Films of 2021

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  BEST OF 2021: 10 Best Metal Albums of the Year

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  BEST OF 2021: RETURNAL is the Game of the Year

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  NMM SoundBytes: Doom and Destruction, VANNON Be Thy Name

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  Christmas Eve Jams for People Sick of Christmas Music: Louise Aubrie’s “Ours”

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  Taking a Little Down Time with Marc-E

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  NMM SoundBytes: Noveliss Climbs the “Cold Mountain” with Dixon Hill

• THE TRAGEDY OF MACBETH

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  Sailing Away from the “Misty Shore” to the ARKTIK LAKE

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  Blake Red’s “The Darkness” Channels PJ Harvey and Poe in the Best Ways Possible

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  Classical Meets Prog Rock When Pittsburgh’s Beo String Quartet Revisits Their Ghosts

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  Sines Says, “Don’t Bore Us, Get to the Chorus”

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  Peter Karroll Sings a Powerful Tune About “Coming Home”

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  Cruisin in a ’69 CAMARO with Seneko

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  NMM SoundBytes: Kong Gets Squanky on “Know End Insight”

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  Thankful for the Groove: Har’Monique Takes Over

• WIFE OF A SPY: A Matter of Trust

• The Dark Comedy of GAZA MON AMOUR

• BERGMAN ISLAND’s Intricate Maze

• The Grim Beauty of SONGS MY BROTHERS TAUGHT ME