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  The Lost Art of the Concept Album: Midwest Soul XChange’s WEAKENED AT THE ASYLUM

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  Lord Sonny Sticks it “Right in Your I”

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  Halloween Hangover: Horror Recommendations Gone Wrong

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  SILENCIO is an Oscar Worthy Sci-Fi Drama

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  NMM SoundBytes: New Music Video from NEHEDAR: “Mod Civ”

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  New Music Monday: Deb Montomery’s ALL THE WATER EP

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  World Premiere of the New Todd Sheets Horror Film CLOWNADO at BAFF 2018

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  BAFF 2018: Celebrating Cult Film with SURVIVAL OF THE FILM FREAKS

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  Taking it to the House: Matt Warren’s MUSIC IS MY LIFE

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  NMM SoundBytes: New Track from BROTHER BROTHER

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  Romanian Film Fest 2018: MIRACLE OF TEKIR is a Modern Fable About Transformation and Rebirth

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  Anthologically Speaking: BLOOD, SWEAT, AND TERRORS is an Action Horror Extravaganza

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  CAMU Channels NYC’s Energetic Streets with “Empire State of Sound”

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  Out Now on Home Video: ARIZONA is Bloody Good Time

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  31 Days, Day 31: Nocturnal Animals Sing About the Demons in their Heads in “The Haunting”

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  31 Days, Day 31: OBLIVION is a Perfect Ending to the PHANTASM Series

• MAMMA MIA: HERE WE GO AGAIN Serves as Both Sequel and Prequel

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  31 Days, Day 30: Dig Into the Ithaca Fantastik Film Festival

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  31 Days, Day 30: PHANTASM 3 Now Available from Well Go USA

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  31 Days, Day 29: Artsploitation’s TRAUMA is Real Extreme Horror Cinema

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  31 Days, Day 29: 1963’s THE HAUNTING and the Challenge of Adapting Great Fiction

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  31 Days, Day 29: PHANTASM 2 aka “Quadruple Barrel Shotgun: The Movie”

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  31 Days, Day 28: Blaine’s PHANTASM Retrospective, Part 1

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  31 Days, Day 27: THE LAST HOUSE ON THE LEFT is “Only a Movie”… or Is It?