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  Cinepocalypse 2018: SATAN’S SLAVES is Pure Horror

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  Cinepocalypse 2018: Father and Son Discuss MONSTER SQUAD Doc – WOLFMAN’S GOT NARDS

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  Cinepocalypse 2018: Everyone Must Stay Inside and AWAIT FURTHER INSTRUCTIONS

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  Cinepocalypse 2018: Celebrate a New Era in Urban Legends with THE BILL MURRAY STORIES

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  Dread Central Presents… VIDAR THE VAMPIRE

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  Cinepocalypse 2018: Bang Your Head with HEAVY TRIP

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  Splatter Matters? HOW TO MAKE A DOLL, an Utterly Splatter Free Sexploitation Romp

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  Plans Derailed En Route to the TERMINAL

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  Victims and Villains Reviews THE INCREDIBLES 2

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  TTCFF 2018: Exploring the Black Experience Through Real Life Tragedy in MY NAME IS MYEISHA

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  TTCFF 2018: THE STRANGER Uses Shocking Reveals and Experimental Storytelling to Stand Above the Pack

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  TTCFF 2018: Skye Borgman’s True Crime Documentary ABDUCTED IN PLAIN SIGHT

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  Filmmaker Stephen van Vuuren and His New Film IN SATURN’S RINGS

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  Dominik Starck Talks Action, Storytelling, and THE HITMAN AGENCY

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  THE STRANGERS: PREY AT NIGHT is a Bloody Fun Sequel

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  Victims and Villains Reviews TINY SHOULDERS

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  Dread Central Presents Continues to Create a Very Unique Brand with Release of THE LODGERS

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  Penn and Tell’Em: Rifkin and Jillette Pair Up for DIRECTOR’S CUT

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  Alex Garland Annhilates the Competition

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  Victims and Villains Reviews BATMAN: NINJA

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  It Cuts Like a Knife… a HECTIC KNIFE

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  THE MOST DANGEROUS YEAR is a Powerful Look at Transgender Rights

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  LIQUID SKY is Fucking Weird… Like Really Fucking Weird

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  Victims and Villains Reviews DEADPOOL 2