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  Gaming’s Scariest Moments, Issue 10: ALIEN ISOLATION is Terrifyingly Good

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  ABRUPTIO: A Beacon of Originality

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  Horror in the Aughts, Issue 7: SILENT HILL Does Video Game Adaptation Right

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  You May Not Have Heard About PSYCHE Yet, But It’s a Real Sci-Fi Gem

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  Stream Now on Tubi: Pirie Martin’s PSYCHOSIS

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  THE 4:30 MOVIE – A Lesson in Stakes and Joy

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  VOICE OF SHADOWS: Lofty Goals with Mixed Results

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  Horror in the Aughts, Issue 6: Mid Aughts Remakes Continue to Rule the Landscape

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  Horror in the Aughts, Issue 5: Remembering Snyder’s Genius in a Pre-Toxic Fandom World

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  Follow the Harrowing Tale of a London Cabby in MIDNIGHT TAXI

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  Horror in the Aughts, Issue 4: A Remake that Doesn’t Suck

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  NMM SoundBytes: Brooklyn’s NTHNL is Flute with “Heart”

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  Get a Free Pair of Tickets to See Shyamalan’s TRAP!

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  Talking Shop with IMP’s Head Honcho, Stephen James Moore

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  Out Friday: Montresor’s AUTOPOIESIS

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  New Music Monday: Just to Be Clear… Idiot Grins is “Not Reggae”

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  Geoff Gibbons Waxes Nostalgic on “Morgantown”

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  Enjoy SOME SWEET DREAMs, Courtesy of Stevie Cornell

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  Spit, Sweat, and Screaming Fits… and that’s Just the First Minute of THE COFFEE TABLE

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  Post Death Soundtrack Lifts the Veil and Unleashes the Fury

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  My Ultimate Lawnmower Album: Lanemeyer’s 1999 EP STORIES FOR THE BIG SCREEN

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  Holiday Mixtape: Everyday is 420

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  Negativehate Gets Spiritual and Jazzy on “Hrethgir”

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  New Wave, Emo, and Goth Collide in Black Bouquet’s “No More Blood”