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  New Music Monday: Damon Mitchell’s ELISE EP

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  Mill Creek Presents NEIGHBORS

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  SoundBytes: “Don’t Mean Broken” by Michael Bruner

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  The Friday Fighters Celebrate Luke Perry with BUFFY

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  Brazilian Horror Comedy THE CANNIBAL CLUB Serves Up Some Real Gore

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  New Music Monday: Beach Slang Release MPLS EP

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  TRIPLE THREAT Pits the Best in the Action World in Head to Head Battle

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  Interview with NORMAL TERROR’s Sam Mason

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  NMM SoundBytes: Post Death Soundtrack are the “Chosen Sons” to Carry the Dark Torch

• SXSW 2019: SISTER AIMEE Is a Rollicking Feminist Retelling of History

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  Mag Film Fest 2019: Best of the Fest – Shorts Edition

• LIZ AND THE BLUE BIRD: A Quiet Rumination on Friendship

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  The First Annual SLEEPY HOLLOW INTERNATIONAL FILM FESTIVAL Announced

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  “Slow TV” Meets Hardcore Horror: Christopher Tauber’s DIE SCHÖNSTE BAHNSTRECKE HESSENS

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  Mag Film Fest 2019: WHERE THERE IS DARKNESS, Let Us Be Light

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  The Pledgers Get Weird with MY PET NORMAN

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  Mag Film Fest 2019: DRIVEN is an Indie Genre Gem

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  The J&F Band Put Improv Jazz, Rock, and a Classic Grove in a Blender and Serve it Up Smooth

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  AJFF 2019: Beware THE GOLEM

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  NMM SoundBytes: The Other Life Gets “Moody” in New Music Video

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  Thorsten Fleisch’s FLESH CITY is an Experimental and Bizarre Nightmare

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  NMM SoundBytes: Green Door’s Leading Man Gets Raw and Personal as CarnyMusic

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  SoundBytes: EDM Fans Must Check Out Acidic Base’s “Purple Skies” Now

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  American High’s UN ARTICLE 14 is an Early Contender for Best Album of 2019