Fantasia Fest

FANTASIA 2017: Our Very Own Lowlifes Review LOWLIFE, Part 2 – Doug’s Take

A colossal achievement in low-budget ingenuity and skill, Lowlife marks the arrival of a major new filmmaking talent in director Ryan Prows. Despite flashes of pop culture eccentricity and extreme violence, Prows breaks free of his Tarantino-esque trappings to deliver a beautifully structured, wonderfully acted and darkly comic thriller tinged with that most rare of…

FANTASIA 2017: A Brief Look at Glass Eye’s MOST BEAUTIFUL ISLAND

There’s no denying that female directors are making a name for themselves as of late, and quite frankly it’s absolutely beautiful to see. If there’s anyone that deserves major credit, it’s Ana Asensio. Not only is Most Beautiful Island a powerhouse of a directorial debut, but Ana also produced, wrote, and starred in this 80…

FANTASIA 2017: Gleeful Chaos of PUNK FU ZOMBIE is Microbudget Cinema BY Quebecers and FOR Quebecers

Everything about Punk Fu Zombie seems designed for a person of my own (delicate) sensibilities, so why did I find it such a chore? It’s a gleefully chaotic, micro budget hodgepodge of half-baked ideas, zombies, ninjas, and French Canadian politics. It’s extremely violent, packed with knowingly crummy digital effects, and has an awesome robot that…

31 Days, Day 30: Tyger Tyger, Burning Bright, I AM NOT A SERIAL KILLER, Alright?

Officer: What’s the prognosis, John? John: He’s dead, for sure. From the onset, John (Max Records from Where the Wild Things Are) presents as a young man of little affect. He seems completely unfazed by the presence of death and has a very even temperament. We soon find out that despite being a good kid…