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  Like Bowie Before Them, Globus is “Afraid of Americans”

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  New Year New Music: Meet British Columbia’s jRadx on our First Music Monday of 2023

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  NMM SoundBytes: Wayne on a Train

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  Restless Mosaic Conjures Electronic Beauty with MADE BY THAWING ICE

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  NMM SoundBytes: Doug Henthorn May Be “Forewarned” but He’s Surely Not “Failing”

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  NMM SoundBytes: Ajay Mathur is “Real”

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  Killed by the Architects Return with the Existential Indie Rock Gem TABULA RASA

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  Intricate and Diverse Guitar Driven Instrumentals are Chris’s Forte

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  NMM SoundBytes: Emery Pulse Presents Retro Pop Wrapped in a “Gift Box”

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  New Music Monday: Big Curve Says COVER ME UP

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  New Music Monday: Celebrate Halloween in the Spring with “Pumpkin Man”

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  “Do You” Like Hip-Hop, Jazz, and Soul? Perry’s Got You Covered

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  NMM SoundBytes: Ad Vanderveen Plays His “Air Guitar”

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  NMM Soundbytes: Sluka Asks “Isn’t It Strange?”

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  Psychedelic Energy Flows Through Aura Blaze with “Open-Mindedness”

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  NMM SoundBytes: When It Comes to Tawni, I Have a Bias

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  NMM SoundBytes: Doom and Destruction, VANNON Be Thy Name

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  NMM SoundBytes: Noveliss Climbs the “Cold Mountain” with Dixon Hill

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  Sines Says, “Don’t Bore Us, Get to the Chorus”

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  NMM SoundBytes: Kong Gets Squanky on “Know End Insight”

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  NMM SoundBytes: “Le Petite Mort” is House Influenced, Shoegaze Inspired, Lo-Fi Post-Punk

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  NMM SoundBytes: Ajay Mathur Needs You Now

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  New Music Monday: The End is Near and Vannon Brings the Soundtrack to Our Destruction

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  NMM SoundBytes: Brooklyn’s Paul Feder Wants to Lose His Mind