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  Pat Covers the Greats: “And I Love Her”

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  Eric HF Law’s “Who Tells Us” Presents a Unique Look at January 6th

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  Uniquely Herself, ALWAYS YOU: Lyia Plays the Blues and More

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  New Music Monday: “Come Back to Earth” with ADVIKA

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  NMM SoundBytes: LokkisKott Takes Us “Deep Inside” His Unique Alternative Sound

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  NMM SoundBytes: Paul’s Supreme Swords are Swinging

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  It’s SFI’s FIRST PENETRATION, But It Surely Won’t Be their Last

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  NMM SoundBytes: NYC’s King Analog Transports Listener with Riff-Heavy Prog Rock

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  NMM SoundBytes: Bad Sneakers Throw on Their “Tanooki Suit”

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  New Music Monday: Blueburst’s Catchy Latest Singles Will Not “Vanish” Quickly

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  Black Dog String Quartet Getting Ready to Burn A THOUSAND TIMES BRIGHTER

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  New Music Monday: Red Bird Rising Invites You to Join the Revolution

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  NMM SoundBytes: NTHNL Shares “Our Secret” with the World

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  Like Bowie Before Them, Globus is “Afraid of Americans”

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  New Year New Music: Meet British Columbia’s jRadx on our First Music Monday of 2023

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  NMM SoundBytes: Wayne on a Train

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  Restless Mosaic Conjures Electronic Beauty with MADE BY THAWING ICE

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  NMM SoundBytes: Doug Henthorn May Be “Forewarned” but He’s Surely Not “Failing”

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  NMM SoundBytes: Ajay Mathur is “Real”

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  Killed by the Architects Return with the Existential Indie Rock Gem TABULA RASA

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  Intricate and Diverse Guitar Driven Instrumentals are Chris’s Forte

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  NMM SoundBytes: Emery Pulse Presents Retro Pop Wrapped in a “Gift Box”

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  New Music Monday: Big Curve Says COVER ME UP

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  New Music Monday: Celebrate Halloween in the Spring with “Pumpkin Man”