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  SoundBytes: Westrock Say “Hey Hey”

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  SoundBytes: The Skye Bleu Crew Reminds Me That Modern Country Isn’t All Bad

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  Gaming’s Scariest Moments, Issue #9: RETURNAL ASCENSION DLC (PS5)

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  NMM SoundBytes: Ajay Mathur is “Real”

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  Killed by the Architects Return with the Existential Indie Rock Gem TABULA RASA

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  Optacure Strays from Optimism, But Never from Hope and Beauty

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  Eric Visits PAX East 2022 and Plays Video Games…

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  Intricate and Diverse Guitar Driven Instrumentals are Chris’s Forte

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  1BR’s ELLIS is the Best Alternative Release of 2021

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  Chris Ianuzzi Embraces Literal Insanity on “March of Madness”

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  NMM SoundBytes: Emery Pulse Presents Retro Pop Wrapped in a “Gift Box”

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  Spencer Elliott Just Dropped My New Writing Soundtrack…

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  On Aptly Named “INNOV8!”, Nemesis Makes the Old School New Again

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  New Music Monday: Big Curve Says COVER ME UP

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  UNFORTUNATELY, Life’s Too Expensive for STEVEN

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  BANQUET: Not a Quite Full Meal, But Still a Thought-Provoking Appetizer

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  Gaming’s Scariest Moments, Issue #8: Bart’s Department Store from CONDEMNED: CRIMINAL ORIGINS

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  New Music Monday: Celebrate Halloween in the Spring with “Pumpkin Man”

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  SoundBytes: Cosmopolis Radiates Maturity with New Music Video for “Nixon-Mason”

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  UFF 2022: Triple G Comes to Life in MY INNER DEMON

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  Sickpay’s PUREOCRACY: Punk Rock Anthems from Student of the Genre

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  Frank Cogliano’s Stunning Vision Impresses Via COMPUTERS OF THE WORLD

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  UFF 2022: THE COLLINGSWOOD STORY and DEADWARE Tell Tales of Old Tech and Fresh Scares

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  SoundBytes: Swansgate Visits the “Island of Lies”