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  31 Days, Day 2: Clark Freeman Opens Up on TWITW and More

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  Terror TWOsdays PUFF 2018 Edition: Witches and Devils Invade Blaine’s Living Room

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  PUFF 2018: The Festival Closes with Sexorcism, Philadelphia, and Peeping Tom

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  PUFF 2018: The Third Day is the Charm

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  PUFF 2018: DERELICTS is Sleazy, But Maybe Not Sleazy Enough

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  PUFF 2018: Day 2 is Even More BIZARRE than Day 1

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  PUFF 2018: Garrett Gets WEIRD – Day 1 Recap

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  PUFF 2018: This Year’s Closing Film, LUCIFERINA, is Set to Bring the House Down

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  PUFF 2018: Joe Badon’s THE GOD INSIDE MY EAR

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  Tickets on Sale NOW for PUFF 3, So Check the Lineup and Buy Them

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  Talking PUFF and Women in Horror with Madeleine Koestner: IMITATION GIRL and DEAD BODY

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  Do You Have What it Takes to Be Part of PUFF 3?

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  PUFF 2017: The Final Review Pits Iceland Against Mondo… and Iceland Wins with RIFT (31 Days, Day 4)

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  31 Days, Day 4: Garrett’s Best of the Fest, PUFF 2017 Edition

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  PUFF 2017: Day 4 Focuses on the Local and the Exceptionally Weird (31 Days, Day 2)

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  PUFF 2017: RUIN ME – A Modern Slasher Commentary on Addiction, Trust, and Patriarchy (31 Days, Day 1)

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  PUFF 2017: Day 3 – Real Frights and Gaslights

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  PUFF 2017: DAY 2 in Review… Smoke ‘Em If Ya Got ‘Em

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  PUFF 2017: Highlights from This Year’s Short Film Crop

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  PUFF 2017: Beauty, Gore, Metal, and Tits – A Day 1 Wrap Up

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  PUFF 2017: Dirty, Shitty, and Unforgettable ASSHOLES

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  PUFF 2017: Heavy Metal Fun and Brutality, DEATH METAL Be Thy Name

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  PUFF 2017: Evil Clown Named Art Makes Pennywise Look Like Krusty in Aptly Named TERRIFIER

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  PUFF 2017: Lauren Ashley Carter Stars in Natasha Kermani’s Contemplative Sci-Fi Film IMITATION GIRL