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  SoundBytes: New Video from Cali-Based Indie Rockers Starveya

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  Big Tusk’s David Thompson Releases Solo Gem THE WALL

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  SoundBytes: Going “The Distances” with Cosmopolis

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  New Music Monday: Gone From My Sight’s TWENTY TWENTY is “Happy Sad”

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  The Return of Alt-Rock is Here, The Smallest Creature Be Thy Name

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  NMM SoundBytes: “My Love” by Eric Anders and Mark O’Bitz

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  Andy’s PULLING FOR YOU, But We’re Pulling for Him

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  CFF 2020: SKULL Delivers Practical Gore and Splatter in Spades

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  CFF 2020: Kinkle’s DEMENTER Reminds What Good Low Budget Filmmaking Can Be

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  CFF 2020: THE WANTING MARE Captivates and Leaves You Wanting More

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  New Music Monday: The Monstrous Sounds of S.H.O.U.T

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  The Vinyl Word, Issue #3: Give Us Barabas

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  Tucia Lyman’s M.O.M. is a Swift Blow to the Dome

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  31 Days, Day 10: DEMENTER is Unlike Any Film You’ll See This Year

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  Join GRINDHOUSE MESSIAH for #31DaysOfMidnight

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  SoundBytes: Patrick Ames Wants You

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  NMM SoundBytes: Outerfield Declares That the Fields are All “Dust” Now

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  NMM SoundBytes: Green Door’s Leading Man Gets Raw and Personal as CarnyMusic

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  NMM SoundBytes: Max Lee Shares a Bit of “History”

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  Out Today: Award Winning Indie Film GETTING GRACE

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  NMM SoundBytes: The Slang Asks “Is It Any?”

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  NMM SoundBytes: “The Hidden Root”

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  The SliceCast Returns with Josh Kaukl and Too Many Zooz

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  Maxwell James Releases 5 Tracks of Americana Goodness