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  CFF 2019: LETO is a Different Type of Biopic

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  CFF 2019: Emile Hirsch, Bruce Dern, and Amanda Crew are FREAKS

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  NMM SoundBytes: Eddy Yang Delivers “A New City”

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  Album Preview: Joan Torres’s All is Fused Set to Release REVOLUTION

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  Lin Shaye’s ROOM FOR RENT is a Lifetime Film, Except Good

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  Rayanimator Reviews Spoiler Free Double Shot: DON’T KNOCK TWICE and SQUIRM

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  Mill Creek Keeping It Retro with SHEENA

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  Rayanimator Reviews Spoiler Free Double Shot: VELVET BUZZSAW and AWAIT FURTHER INSTRUCTIONS

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  ACCIDENT is Survival Horror Done Right

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  Behold THE LEGEND OF BILLIE JEAN

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  BUFF 2019: CLICKBAIT Explores the Millennial Obsession with Internet Fame

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  BUFF 2019: MOPE Chronicles One of the Weirdest Porn Stories of the Modern Age

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  DG Adams and His NEST OF VIPERS

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  BUFF 2019: KNIFE+HEART is a Neo-Giallo Masterpiece

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  Do You Smell… What the Rock… is Cooking? Revisiting THE RUNDOWN

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  ALIEN PARTY CRASHERS Crashes onto DVD and VOD

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  Lance Proves He’s Still the King of Prog Metal with REPROGRAM

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  New Music Monday: Damon Mitchell’s ELISE EP

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  Mill Creek Presents NEIGHBORS

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  Brazilian Horror Comedy THE CANNIBAL CLUB Serves Up Some Real Gore

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  New Music Monday: Beach Slang Release MPLS EP

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  TRIPLE THREAT Pits the Best in the Action World in Head to Head Battle

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  Rayanimator Reviews PATCHWORK (Spoiler Free)

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  “Slow TV” Meets Hardcore Horror: Christopher Tauber’s DIE SCHÖNSTE BAHNSTRECKE HESSENS