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  SoundBytes: Westrock Say “Hey Hey”

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  SoundBytes: The Skye Bleu Crew Reminds Me That Modern Country Isn’t All Bad

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  NMM SoundBytes: Ajay Mathur is “Real”

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  Killed by the Architects Return with the Existential Indie Rock Gem TABULA RASA

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  Optacure Strays from Optimism, But Never from Hope and Beauty

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  Intricate and Diverse Guitar Driven Instrumentals are Chris’s Forte

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  1BR’s ELLIS is the Best Alternative Release of 2021

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  Chris Ianuzzi Embraces Literal Insanity on “March of Madness”

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  NMM SoundBytes: Emery Pulse Presents Retro Pop Wrapped in a “Gift Box”

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  Spencer Elliott Just Dropped My New Writing Soundtrack…

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  On Aptly Named “INNOV8!”, Nemesis Makes the Old School New Again

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  New Music Monday: Big Curve Says COVER ME UP

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  UNFORTUNATELY, Life’s Too Expensive for STEVEN

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  New Music Monday: Celebrate Halloween in the Spring with “Pumpkin Man”

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  SoundBytes: Cosmopolis Radiates Maturity with New Music Video for “Nixon-Mason”

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  Sickpay’s PUREOCRACY: Punk Rock Anthems from Student of the Genre

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  Frank Cogliano’s Stunning Vision Impresses Via COMPUTERS OF THE WORLD

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  SoundBytes: Swansgate Visits the “Island of Lies”

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  “Do You” Like Hip-Hop, Jazz, and Soul? Perry’s Got You Covered

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  TRIBAL HOUSE CREW Drops a Few Tabs of “Afro-Acid”

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  Julia Pratt Give a New Spin to a “Tried and True” Musical Formula

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  NMM SoundBytes: Ad Vanderveen Plays His “Air Guitar”

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  Port Nasim Blends Prog and Alternative to Create Their Own MURKY GREY Rock Sound

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  Arnab Leads You “This Way” Down the Jazzy Streets of Sydney