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Film
Music
Film Festivals
Skate or Die Film Festival
Skate or Die 2024 Press Release
Stream or Die Film Fest
The Farsighted Podcast Network
Current Podcasts
On Hiatus
View All Podcasts
Reid Chancellor and Microcosm Bring GG Allin Back in Graphic Fashion
FAFF 2020: The Extremely Fun SPARE PARTS is The Farsighted’s Best of the Fest
ROOMMATE WANTED Drops Premiere at Salem Horror Film Fest
The Vinyl Word, Issue #4: ASTRAL CLOUD ASHES Transports You Back to the 90s
WHITE RIOT Chronicles Rock Against Racism in Late 1970s Britain
The Vinyl Word, Issue #3: Give Us Barabas
PUFF 2019: Punk Rock, Siege, and Bloody Good Gore (31 Days, Day 1)
THE RANGER Delivers Blood, Guts, and Punk Rock to SHUDDER
Punk Rock, Hardline sXe, Horror, and an Open Mind: An In-Depth Chat with SXE KEGGER’s Jason Zink
Weekend Tunes: Upbeat Pop Punk Made with the Best Intentions
American High’s UN ARTICLE 14 is an Early Contender for Best Album of 2019
OUT NOW: The Goldwyn Experiment’s AVENUE B
31 Days, Day 31: Nocturnal Animals Sing About the Demons in their Heads in “The Haunting”
NMM SoundBytes: “Ryukyu Kingdom declares Independence”
NMM SoundBytes: So Cal Pop Punkers GASOLINE KILLS
NMM SoundBytes: The Raw Political Edge of AMERICAN HIGH’s “Cheye Calvo”
Snailmate Channels a Truly Bizarre and Creative Energy with EXISTENTIAL ANXIETY
ASTRAL CLOUD ASHES Reminds That “Emo” is Not a Bad Word
The Darts New 7″: Kate’s New #1 with a “Bullet”
FANTASIA 2017: Gleeful Chaos of PUNK FU ZOMBIE is Microbudget Cinema BY Quebecers and FOR Quebecers
IN THE DEAD OF NIGHT is a Horror Themed Garage Rock Masterpiece
PUNK GOES POP Confirms That I am Old as Hell
The Kid in Black Recommends: The Aquabats
MISERY OBSCURA is Required Reading for Punks Old and New
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