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  Fantasia 2018: Sam Elliott is THE MAN WHO KILLED HITLER AND THEN THE BIGFOOT

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  Cinepocalypse 2018: Everyone Must Stay Inside and AWAIT FURTHER INSTRUCTIONS

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  Plans Derailed En Route to the TERMINAL

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  TTCFF 2018: Exploring the Black Experience Through Real Life Tragedy in MY NAME IS MYEISHA

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  TTCFF 2018: THE STRANGER Uses Shocking Reveals and Experimental Storytelling to Stand Above the Pack

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  Dealing with Grief: Childhood Trauma and I KILL GIANTS

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  Talking Larry Clark’s KIDS and BULLY with the Incredible Danny Franzese

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  Terror TWOsdays: TELEVISION TRAUMA and SHOW YOURSELF

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  SHOW YOURSELF is a Mixed Bag That Deeply Entertains Despite Its Flaws

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  MONDAY: Alejandro Montoya Marin is a Rebel Without a Crew

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  CFF 2018: SUMMER OF 84 is the Latest 80s Nostalgia Vehicle

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  BUFF 2018: Issa Lopez Channels del Toro in TIGERS ARE NOT AFRAID

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  Talking MOHAWK and More with Ted Geoghegan and Marcus Koch

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  BHFF 2017: HAGAZUSSA is a Deep, Contemplative, and Confidently Executed Nightmare (31 Days, Day 18)

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  A Few Badass Monks Set Forth on a PILGRIMAGE

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  31 Days, Day 9: Warner Archive’s THE HIDDEN is a Quirky 80s Gem, Finally Released on Blu-ray

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  PUFF 2017: The Final Review Pits Iceland Against Mondo… and Iceland Wins with RIFT (31 Days, Day 4)

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  PUFF 2017: DAY 2 in Review… Smoke ‘Em If Ya Got ‘Em

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  FANTASIA 2017: A Brief Look at Glass Eye’s MOST BEAUTIFUL ISLAND

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  FANTASIA 2017: SUPER DARK TIMES is a Super Great Debut

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  Sunday Squabble: Arrow’s Release of DONNIE DARKO is a Great Edition of a Great Film… or is It?

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  Scandal Always Followed LULU BELLE

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  LIVE CARGO Comes Out of Nowhere and Slaps Us All Upside the Head

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  DOOBIOUS SOURCES is a Different Take on the Stoner Comedy