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  Reid Chancellor and Microcosm Bring GG Allin Back in Graphic Fashion

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  NAIL IN THE COFFIN Shows the Reality of Being a Canadian Born Lucha Libre Star

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  WHITE RIOT Chronicles Rock Against Racism in Late 1970s Britain

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  PUFF 2019: Punk Rock, Siege, and Bloody Good Gore (31 Days, Day 1)

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  PUFF 2019 Special: Punx Not Dead w/ SXE KEGGER Director Jason Zink

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  Adrianna Talks HEDWIG and VELVET GOLDMINE in the Triumphant Return of Grindhouse Messiah

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  THE RANGER Delivers Blood, Guts, and Punk Rock to SHUDDER

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  Punk Rock, Hardline sXe, Horror, and an Open Mind: An In-Depth Chat with SXE KEGGER’s Jason Zink

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  The East German Punks Were BURNING DOWN THE HAUS

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  Uncle Eddy’s Mixtapes: Z-Jam – Saturday February 1, 1992

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  CAMU Channels NYC’s Energetic Streets with “Empire State of Sound”

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  31 Days, Day 31: Nocturnal Animals Sing About the Demons in their Heads in “The Haunting”

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  Riff and the Captain Visit Warped Tour

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  DANGER DIVA is Weird, Fun, and Worth the Ride

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  Jenn Wexler’s Punk Rock Palate Cleanser, THE RANGER

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  NMM SoundBytes: “Ryukyu Kingdom declares Independence”

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  NMM SoundBytes: So Cal Pop Punkers GASOLINE KILLS

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  NMM SoundBytes: The Raw Political Edge of AMERICAN HIGH’s “Cheye Calvo”

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  Aussie Rockers Halfwait Channel 90s Alt-Rock and Pop Punk on THE OFFICIAL

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  Come Hunting Nazis with the GRINDHOUSE MESSIAH Basterds and Win a Blu-Ray

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  Over at FGBFF, We’re DYING OF LAUGHTER: A Short Film Block Highlight Reel

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  IN THE DEAD OF NIGHT is a Horror Themed Garage Rock Masterpiece

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  PUNK GOES POP Confirms That I am Old as Hell

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  MISERY OBSCURA is Required Reading for Punks Old and New