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  The Review Nobody Asked For: SONIC THE HEDGEHOG

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  20 for 20: Josh Thinks THE POUGHKEEPSIE TAPES is One of the Best Films You’ve Never Heard Of

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  20 for 20: INCEPTION is Stuck in Dean’s Head

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  20 for 20: Ana Returns to Tell Us About THE DESCENT

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  WINIFRED MEEKS Employs the Slow Burn with Mixed Results

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  20 for 20: Ray-Anne Raves About Flanagan and Siegel’s HUSH

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  20 for 20: Ari Aster Needs To Quit Reading Dino’s Mail

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  Ant Timpson and Elijah Wood Pair Up for COME TO DADDY

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  20 in 20: THE CONJURING is the Scariest Movie Cash Has Ever Seen

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  20 for 20: Adam Loves Him Some OLDBOY

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  20 for 20: Ray-Anne Loves EVIL DEAD (2013)

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  20 for 20: Eric Kicks Us Off with the FINAL DESINATION Series

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  The Big N Returns to the Oscars

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  Experience the Lynchian Surreality of Jennifer Reeder’s KNIVES AND SKIN

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  Indie Horror Gem DRY BLOOD is a Bloodsoaked Mindf*ck

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  Coffee Cups, Badass Veterans, Java, and Jazz: BAFF 2019 in Review

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  The Frightening Fun of Michael Goi’s MARY

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  Powerless and Lost: Exploring EMP with RADIOFLASH

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  Shaked Berenson and Jonathan Barkan launch THE HORROR COLLECTIVE

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  Little Caesar’s Be Damned: SATANIC PANIC Serves Up Its Own Brand of Pizza Pizza

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  31 Days, Day 27: Meet Byron Miller and Check Out DRACULA PARTY

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  BHFF 2019: CM Punk VS. the GIRL ON THE THIRD FLOOR (31 Days, Day 23)

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  BHFF 2019: DANIEL ISN’T REAL is Dead Set On F*cking With Our Heads (31 Days, Day 20)

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  BHFF 2019: Rachael Gets Her SWERVE On (31 Days, Day 19)