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  Me and My Brother Review: WALL-E

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  THE PERISHED Dwells in Forbidden Territory

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  TOAD ROAD: A Hellucinatory Cautionary Tale

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  Artsploitation Gives Underground Sex Rings and Pedophilia THE TREATMENT

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  20 for 20: Bricker Briefly Blathers About SPUN

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  20 for 20: On Wednesdays, Josh Wears Pink

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  DEAD DICKS Keeps You on Your Toes

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  Jesse Eisenberg‘s Powerhouse Performance as Marcel Marceau Headlines the Powerful RESISTANCE

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  20 for 20: Josh Thinks JOKER is the Most Important Comic Book Movie of All Time

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  WOMAN ON THE EDGE Hits Blu-ray from Mill Creek Entertainment

• COLOR OUT OF SPACE is Richard Stanley’s Unrivaled Masterpiece

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  Grindhouse Messiah Presents… The Mag Fest 2020 Episode

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  Mag Fest 2020: EASY DOES IT is an Old Fashioned Road Movie

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  20 for 20: Cash Reviews THE RING, Even If Nobody Asked For It

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  20 for 20: Rayanimator Returns to Tell Us Why TRAIN TO BUSAN Stands Ahead of Generic Zombie Fare

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  20 for 20: Eric Declares HOT FUZZ as Action Comedy Perfection

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  20 for 20: Josh Thinks THE POUGHKEEPSIE TAPES is One of the Best Films You’ve Never Heard Of

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  20 for 20: INCEPTION is Stuck in Dean’s Head

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  20 for 20: Ana Returns to Tell Us About THE DESCENT

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  WINIFRED MEEKS Employs the Slow Burn with Mixed Results

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  20 for 20: Ray-Anne Raves About Flanagan and Siegel’s HUSH

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  20 for 20: Ari Aster Needs To Quit Reading Dino’s Mail

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  Ant Timpson and Elijah Wood Pair Up for COME TO DADDY

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  20 in 20: THE CONJURING is the Scariest Movie Cash Has Ever Seen