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  Nic Cage Finally Takes on the Dracula Role in RENFIELD

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  Tribeca Film Festival 2023 – Sam Lake and Hideo Kojima: Legends of Gaming

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  Bear Witness to the “Emergence” of Auroara

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  Tuesdays with Dorty (on a Wednesday): The Trash Continues to Spill

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  An Early Look at Sonar Mallory’s Bitter Waltz – “Small Everyone” from Carry the Branches

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  Tuesdays with Dorty: It All Begins with Feature Length Trash

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  NMM SoundBytes: Paul’s Supreme Swords are Swinging

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  It’s SFI’s FIRST PENETRATION, But It Surely Won’t Be their Last

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  Holy Hell: Dillon Brown’s GHOST Declares War on the Devil

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  Former Idol Refuses to Stay Idle: Judd Sings “Take Me Down”

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  James Jefferson Wants You to Visit WARRIOR ISLAND and Follow the Code

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  Spotlight: Aubrey Jane Jones’s ALL MY LOVE, AUBREY

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  K4LT Explains That You Don’t Flee from the “LCPD”

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  Twofer Tuesday: A Doubleshot of International Furlough

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  Stan Snow Urges Us to Be Open-Minded with New Track “Change”

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  Sanjay Michael Reminds That Rock ‘N’ Roll Never Left the Party

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  Now on Blu and DVD: Shudder’s Hit Anthology V/H/S/99

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  Out This Friday: Petty Human Emotions Drop Emotional and Not-So-Petty Debut Record

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  NMM SoundBytes: NYC’s King Analog Transports Listener with Riff-Heavy Prog Rock

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  Saturday SoundBytes: Patrick Ames Will Find a Way… Somehow

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  Move Over Margaritaville, It’s Time to Head to “Tomales Bay”

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  Spotlight on LGBTQ+ Art: Ken Howard’s ON THE BOULEVARD

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  NMM SoundBytes: Bad Sneakers Throw on Their “Tanooki Suit”

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  Antman Ant’s New Album Will Truly RESONATE With You