• 

  31 Days, Day 28: Blaine’s PHANTASM Retrospective, Part 1

• 

  31 Days, Day 27: THE LAST HOUSE ON THE LEFT is “Only a Movie”… or Is It?

• 

  Rayanimator Reviews HALLOWEEN 2018 – Spoiler Free (31 Days, Day 21)

• 

  31 Days, Day 18: Richard’s BHFF Experience, Part I – TUMBBAD and BOO!

• 

  31 Days, Day 16: Terror TWOsdays BHFF Edition – BOO! and THE CLOVEHITCH KILLER

• 

  31 Days, Day 15 – BHFF 2018: EMPATHY INC is BEING JOHN MALKOVICH for the BLACK MIRROR Crowd

• 

  31 Days, Day 14 – BHFF 2018: SLAYED Presents a Voice in Horror for the LGBTQ Community

• 

  31 Days, Day 13 – BHFF 2018: Identity Theft Gone Wild in Blumhouse’s CAM

• 

  Rayanimator Reviews HAUSU aka HOUSE 77 – Spoiler Free (31 Days, Day 13)

• 

  31 Days, Day 11: Patrick Grant’s Spooky and Strange Re-Release

• 

  31 Days, Day 10: There’s a WITCH in Josh’s WINDOW

• 

  31 Days, Day 8: Good Golly, Miss MOLLY

• 

  FSN Welcomes Rayanimator Reviews as She Discusses BODY MELT (31 Days, Day 7)

• 

  31 Days, Day 4: Style Meets Substance in THE GUEST

• 

  31 Days, Day 3: EXTREMITY Makes McKamey Look McTamey

• 

  Kenny Asks if AGP: SACRIFICE is More than Gore for Gore’s Sake

• 

  PUPPET MASTER Returns to Blu-Ray with THE LITTLEST REICH

• 

  Science Gone Wrong Gone Scary in SLEEP NO MORE

• 

  Can Evrenol Solidifies His Reputation as the Architect of Hell with HOUSEWIFE

• 

  HEAVY TRIP: The Adventures of the Lovable Scamps of “Impaled Rektum”

• 

  Terror TWOsdays PUFF 2018 Edition: Witches and Devils Invade Blaine’s Living Room

• 

  Snider’s FOR THE LOVE OF METAL Reminds Us That Dee Can Still Rock

• 

  REVENGE Presents the Rape/Revenge Film Through the Eyes of a Female

• 

  PUFF 2018: The Festival Closes with Sexorcism, Philadelphia, and Peeping Tom