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  Was ETERNAL ATAKE Worth The Wait?

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  20 for 20: Rachael Stops By ALMOST FAMOUS to Visit Her Friends

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  Tucia Lyman’s M.O.M. is a Swift Blow to the Dome

• COLOR OUT OF SPACE is Richard Stanley’s Unrivaled Masterpiece

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  Mag Fest 2020: Coming of Age in 8 Minutes with BLOOM

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  The Horror Collective Drops Chase Williamson Vehicle GREENLIGHT

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  Much Anticipated Neo-Noir Mystery Thriller CLIFTON HILL Hits Theaters Nationwide

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  Mag Fest 2020: SPIRALing Out of Control

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  Mag Fest 2020: EASY DOES IT is an Old Fashioned Road Movie

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  20 for 20: Cash Reviews THE RING, Even If Nobody Asked For It

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  20 for 20: Rayanimator Returns to Tell Us Why TRAIN TO BUSAN Stands Ahead of Generic Zombie Fare

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  20 for 20: Eric Declares HOT FUZZ as Action Comedy Perfection

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  The Review Nobody Asked For: SONIC THE HEDGEHOG

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  20 for 20: Josh Thinks THE POUGHKEEPSIE TAPES is One of the Best Films You’ve Never Heard Of

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  20 for 20: INCEPTION is Stuck in Dean’s Head

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  20 for 20: Ana Returns to Tell Us About THE DESCENT

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  WINIFRED MEEKS Employs the Slow Burn with Mixed Results

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  20 for 20: Ray-Anne Raves About Flanagan and Siegel’s HUSH

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  20 for 20: Ari Aster Needs To Quit Reading Dino’s Mail

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  Ant Timpson and Elijah Wood Pair Up for COME TO DADDY

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  20 in 20: THE CONJURING is the Scariest Movie Cash Has Ever Seen

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  20 for 20: Adam Loves Him Some OLDBOY

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  20 for 20: Ray-Anne Loves EVIL DEAD (2013)

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  20 for 20: Eric Kicks Us Off with the FINAL DESINATION Series