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  A Taste of Potential, a Taste of Disappointment, A TASTE OF PHOBIA

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  NMM SoundBytes: Check out “Howling” from the new Wild Rivers EP, EIGHTY-EIGHT

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  Victims and Villains Reviews UNCLE DREW

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  Weekend Soundtrack: The Alt-Rock Sound of Pale Blue Dot’s ANATOMY

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  New Music Monday: Like Wilco? Try Strange Culprits!

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  The Thirds: Dork Rock be Thy Name

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  Cinepocalypse 2018: Whatcha Gonna Do When THE COP BABY Comes for You?

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  Cinepocalypse 2018: SATAN’S SLAVES is Pure Horror

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  Cinepocalypse 2018: Everyone Must Stay Inside and AWAIT FURTHER INSTRUCTIONS

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  Cinepocalypse 2018: Celebrate a New Era in Urban Legends with THE BILL MURRAY STORIES

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  With EXPONENTS, Agency Declare Themselves the Name and Face of Alternative Soul

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  Cinepocalypse 2018: Bang Your Head with HEAVY TRIP

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  An Extended Father’s Day Celebration with LIKE FATHER LIKE SON

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  Plans Derailed En Route to the TERMINAL

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  Wulijimuren Rocks Instrumentally with His Latest Full Length, SUN OF UTC+8

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  Where Flamenco, Jazz, and Trip Hop Meet: James Labrosse’s ORANGE NIGHTS

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  Victims and Villains Reviews THE INCREDIBLES 2

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  Snailmate Channels a Truly Bizarre and Creative Energy with EXISTENTIAL ANXIETY

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  TTCFF 2018: Exploring the Black Experience Through Real Life Tragedy in MY NAME IS MYEISHA

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  TTCFF 2018: THE STRANGER Uses Shocking Reveals and Experimental Storytelling to Stand Above the Pack

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  TTCFF 2018: Skye Borgman’s True Crime Documentary ABDUCTED IN PLAIN SIGHT

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  ASTRAL CLOUD ASHES Reminds That “Emo” is Not a Bad Word

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  Victims and Villains Reviews TINY SHOULDERS

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  The Darts New 7″: Kate’s New #1 with a “Bullet”