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  This Sunday, Let There Be Metal with Mental Fracture’s “Inception”

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  Chris Ianuzzi Embraces Literal Insanity on “March of Madness”

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  NMM SoundBytes: Emery Pulse Presents Retro Pop Wrapped in a “Gift Box”

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  On Aptly Named “INNOV8!”, Nemesis Makes the Old School New Again

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  UNFORTUNATELY, Life’s Too Expensive for STEVEN

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  New Music Monday: Celebrate Halloween in the Spring with “Pumpkin Man”

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  SoundBytes: CosmopolisRadiates Maturity with New Music Video for “Nixon-Mason”

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  Talking THE EXORCISM OF GOD with Writer/Director Alejandro Hidalgo

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  NMM SoundBytes: Ad Vanderveen Plays His “Air Guitar”

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  Committee of Vultures is “Dressed to Get Naked”

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  The Nylon Admirals Will Sink Their “Butcher’s Hook” Into You

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  3D the Boss Wants You to “Push It” in More Ways than One

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  NMM SoundBytes: When It Comes to Tawni, I Have a Bias

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  NMM SoundBytes: Doom and Destruction, VANNON Be Thy Name

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  Christmas Eve Jams for People Sick of Christmas Music: Louise Aubrie’s “Ours”

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  NMM SoundBytes: Noveliss Climbs the “Cold Mountain” with Dixon Hill

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  Sailing Away from the “Misty Shore” to the ARKTIK LAKE

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  Blake Red’s “The Darkness” Channels PJ Harvey and Poe in the Best Ways Possible

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  Peter Karroll Sings a Powerful Tune About “Coming Home”

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  Thankful for the Groove: Har’Monique Takes Over

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  NMM SoundBytes: “Le Petite Mort” is House Influenced, Shoegaze Inspired, Lo-Fi Post-Punk

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  “Hope Springs” Us into the Weekend with Tenuous Threads

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  NMM SoundBytes: Ajay Mathur Needs You Now

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  Elliot Cole’s “Exit Row” is Face Melting Classical Music That’ll Have You Putting Up Your Devil Horns