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  • This Sunday, Let There Be Metal with Mental Fracture’s “Inception”

  • Chris Ianuzzi Embraces Literal Insanity on “March of Madness”

  • NMM SoundBytes: Emery Pulse Presents Retro Pop Wrapped in a “Gift Box”

  • On Aptly Named “INNOV8!”, Nemesis Makes the Old School New Again

  • UNFORTUNATELY, Life’s Too Expensive for STEVEN

  • New Music Monday: Celebrate Halloween in the Spring with “Pumpkin Man”

  • SoundBytes: CosmopolisRadiates Maturity with New Music Video for “Nixon-Mason”

  • Talking THE EXORCISM OF GOD with Writer/Director Alejandro Hidalgo

  • NMM SoundBytes: Ad Vanderveen Plays His “Air Guitar”

  • Committee of Vultures is “Dressed to Get Naked”

  • The Nylon Admirals Will Sink Their “Butcher’s Hook” Into You

  • 3D the Boss Wants You to “Push It” in More Ways than One

  • NMM SoundBytes: When It Comes to Tawni, I Have a Bias

  • NMM SoundBytes: Doom and Destruction, VANNON Be Thy Name

  • Christmas Eve Jams for People Sick of Christmas Music: Louise Aubrie’s “Ours”

  • NMM SoundBytes: Noveliss Climbs the “Cold Mountain” with Dixon Hill

  • Sailing Away from the “Misty Shore” to the ARKTIK LAKE

  • Blake Red’s “The Darkness” Channels PJ Harvey and Poe in the Best Ways Possible

  • Peter Karroll Sings a Powerful Tune About “Coming Home”

  • Thankful for the Groove: Har’Monique Takes Over

  • NMM SoundBytes: “Le Petite Mort” is House Influenced, Shoegaze Inspired, Lo-Fi Post-Punk

  • “Hope Springs” Us into the Weekend with Tenuous Threads

  • NMM SoundBytes: Ajay Mathur Needs You Now

  • Elliot Cole’s “Exit Row” is Face Melting Classical Music That’ll Have You Putting Up Your Devil Horns

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