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  3D the Boss Wants You to “Push It” in More Ways than One

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  NMM SoundBytes: When It Comes to Tawni, I Have a Bias

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  NMM SoundBytes: Doom and Destruction, VANNON Be Thy Name

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  Christmas Eve Jams for People Sick of Christmas Music: Louise Aubrie’s “Ours”

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  NMM SoundBytes: Noveliss Climbs the “Cold Mountain” with Dixon Hill

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  Sailing Away from the “Misty Shore” to the ARKTIK LAKE

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  Blake Red’s “The Darkness” Channels PJ Harvey and Poe in the Best Ways Possible

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  Peter Karroll Sings a Powerful Tune About “Coming Home”

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  Thankful for the Groove: Har’Monique Takes Over

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  NMM SoundBytes: “Le Petite Mort” is House Influenced, Shoegaze Inspired, Lo-Fi Post-Punk

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  “Hope Springs” Us into the Weekend with Tenuous Threads

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  NMM SoundBytes: Ajay Mathur Needs You Now

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  Elliot Cole’s “Exit Row” is Face Melting Classical Music That’ll Have You Putting Up Your Devil Horns

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  SoundBytes: The Gentle, Yet Gritty Truth of Paula Standing

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  Sonic Fuel’s “Karma” Video Employs Rock Tropes to Perfection

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  NMM SoundBytes: Brooklyn’s Paul Feder Wants to Lose His Mind

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  Brainsqueezed’s “My Fears in the Night” Video Elevates Single to Next Level

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  Rebel ACA and French Monkey Wrench Remind Us to “Never Give Up”

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  NMM SoundBytes: Barista Gets “Sweet” PRESS REWIND

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  NMM SoundBytes: Will Jackson is “Good Enough”

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  NMM SoundBytes: Jamie Carol Drinks His Sorrows, But It’s Not What You Think

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  NMM SoundBytes: Nonviolenze Asks How We’re Seen by the Cosmic “Mirror”

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  Les Techno Returns with a New Single: “In the Sunshine”

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  SoundBytes: Delyn Grey Bares Her Soul in Powerful “Daddy’s Love” Music Video