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      • Grindhouse Messiah
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    • On Hiatus
      • Huuuh?Podcast
      • AWhaaat?Podcast
      • Drive All Night: The Podcast Podcast
      • The FarOut KidsCast
      • Post Traumatic Church Disorder
      • The P.S. Midnight Cast
      • Reddit Horror Club 2: Dead by Dawn
      • The SliceCast
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  • The Vinyl Word, Issue #4: ASTRAL CLOUD ASHES Transports You Back to the 90s

  • Celebrating Psychedelic Psaturday with VAST CALDERA I

  • Sundogs are Here to Enforce THE CODE of Jazz Infused Classic Rock

  • New Music Monday: Chris Ianuzzi Shreds Convention with PLANETERIA

  • Integrity Still Ripping Faces Off with their Hardcore/Metal Assault

  • Fiona Apple FETCHes THE BOLT CUTTERs

  • New Music Monday: WITCH TAINT is Flight of the Conchords Meets Mayhem

  • The Vinyl Word, Issue #3: Give Us Barabas

  • Stuck Inside? Here’s Some Great Music from 2019 to Catch Up On

  • Was ETERNAL ATAKE Worth The Wait?

  • The Vinyl Word, Issue #2: ARTHUR (OR THE DECLINE AND FALL OF THE BRITISH EMPIRE

  • New Music Monday: Kevin West’s STORY OF MY LIFE

  • Visit the PLEASANT GROVE HOTEL with Outerfield

  • The Vinyl Word, Issue #1: VELVET GOLDMINE

  • New Music Monday: Vale Returns with BURDEN OF SIGHT

  • Feel Good Electropop Painted in Shades of COBALT

  • Album Preview: Joan Torres’s All is Fused Set to Release REVOLUTION

  • DG Adams and His NEST OF VIPERS

  • Lance Proves He’s Still the King of Prog Metal with REPROGRAM

  • New Music Monday: Damon Mitchell’s ELISE EP

  • SoundBytes: EDM Fans Must Check Out Acidic Base’s “Purple Skies” Now

  • Now on Red Tent Records: Sound Strider Explores the Occult and Magic on OCCULT ELECTRIC

  • The Lost Art of the Concept Album: Midwest Soul XChange’s WEAKENED AT THE ASYLUM

  • Love It or Hate It, Andrew Reed Has a Voice All His Own

  • NMM SoundBytes: Jane Says… Listen to GORERUNNER

  • Beauty and Brutality from The Blue Collar Army

  • New Music Monday: Like Wilco? Try Strange Culprits!

  • Wulijimuren Rocks Instrumentally with His Latest Full Length, SUN OF UTC+8

  • Where Flamenco, Jazz, and Trip Hop Meet: James Labrosse’s ORANGE NIGHTS

  • Snailmate Channels a Truly Bizarre and Creative Energy with EXISTENTIAL ANXIETY

  • ASTRAL CLOUD ASHES Reminds That “Emo” is Not a Bad Word

  • Marty Thompson Kicks it Off with “A Thud”

  • NMM Sound Bytes: Be Human and “Be Awesome”

  • Hey Indie Kid, Babbling April’s HOLY GOLD is Your New Favorite Album

  • Denmark’s Cabal Delivers with MARK OF ROT

  • NMM Sound Byte: PRIMA DONNA to Release New Album Next Month

  • Montreal’s Johnny Coull Brings Classic 70s Pop and Rock to 2018

  • All We Want for Christmas is… SEX WITH THE DEVIL

  • The Lost Art of Making an Album: Jimmy Eat World and the Importance of That Final Note

  • 31 Days, Day 25: Berwanger’s Mario Paint Music Video “Horror Show” is Everything You’ve Ever Wanted and More

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Recent Podcast Episodes

  • The Farchive, Episode 3: HARD KILL Director Matt Eskandari
  • The Farchive, Episode 2: FRIED BARRY’s Ryan Kruger
  • The Farchive, Episode 1: NOTHING BUT THE BLOOD’s Daniel Tucker
  • Grindhouse Messiah Presents… The Mag Fest 2020 Episode
  • RIP Betty: Uncle Eddy’s Wife Pays Tribute To Her Mother – A Special Edition Mixtape

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  • Dakota Ray on Dakota Ray’s AMERICAN ANTI-CHRIST is Metal AF
  • Valarie Greene on Jesse Eisenberg‘s Powerhouse Performance as Marcel Marceau Headlines the Powerful RESISTANCE
  • Blaine on Was ETERNAL ATAKE Worth The Wait?

The Farsighted

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