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  Fantasia 2018: Blaine’s Top Shorts from the SMALL GAUGE TRAUMA Block

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  Fantasia 2018: BORN OF WOMAN Short Film Block Celebrates Unconventional Gaze

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  Fantasia 2018: Aussie Thriller BROTHER’S NEST Packs a Punch

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  Fantasia 2018: ONE CUT OF THE DEAD is One of 2018’s Most Heartwarming Films

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  Fantasia 2018: Exploring PTSD and Anxiety with Sonny Mallhi’s HURT

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  Fantasia 2018: MEGA TIME SQUAD is Satisfying and Hilarious

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  Fantasia 2018: Sam Elliott is THE MAN WHO KILLED HITLER AND THEN THE BIGFOOT

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  Fantasia 2018: COLD SKIN – Colonization and Culture and Creatures, Oh My!

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  It’s the Most Wonderful Time of the Year: Fantasia is Back!

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  MOHAWK, Publicity, and All That Jazz: Talking to Ted Geoghegan at Fantasia 2017

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  The GRINDHOUSE MESSIAH Fantasia 2017 Recap Bonus-sode

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  Fantasia 2017: TRAGEDY GIRLS is Good, but it Makes Blaine Feel Old

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  Fantasia 2017: KODOKU MEATBALL MACHINE Breaks Down, Leaving a Misshapen Meatwad

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  Fantasia 2017: FASHIONISTA is a Gorgeous Film, but Fails to Tell its Story

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  Fantasia 2017: ASSHOLES Shits the Bed

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  Fantasia 2017: Hori’s JUNK HEAD is a Beautiful Nightmare of Stop Motion Brilliance

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  FANTASIA 2017: Our Very Own Lowlifes Review LOWLIFE, Part 2 – Doug’s Take

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  FANTASIA 2017: Our Very Own Lowlifes Review LOWLIFE, Part 1 – Mondo’s Take

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  FANTASIA 2017: A Brief Look at Glass Eye’s MOST BEAUTIFUL ISLAND

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  FANTASIA 2017: Gleeful Chaos of PUNK FU ZOMBIE is Microbudget Cinema BY Quebecers and FOR Quebecers

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  FANTASIA 2017: Waxing Canadian with EXPO 67: MISSION IMPOSSIBLE

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  FANTASIA 2017: Doug Leaves THE FINAL MASTER a Bit Unsatisifed

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  FANTASIA 2017: Graham Skipper Moves Behind the Camera for Retro Body Horror SEQUENCE BREAK

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  FANTASIA 2017: SUPER DARK TIMES is a Super Great Debut