Review

Thank God for Harry Guerro: Garagehouse Unearths Mickey Rooney’s Lost Slasher, THE INTRUDER

As a film, The Intruder wasn’t necessarily a favorite I’ve seen this year. In fact, it wasn’t even one I would rank anywhere close to my favorites. However, I am so thankful for it and for its release. Every moment I watched, I felt myself smiling, beaming with pride perhaps, for someone from my hometown…

Terror TWOsdays: Gritty Horror on a Modest Budget

[Editor’s Note: Terror TWOsdays is my latest column, just an excuse to talk about more horror films. Notably, I’ll be hitting up two independent, lesser known, and/or underappreciated horror and horror adjacent movies. And with that, I bring you two films to fear. Stay tuned for the official intro graphic in the coming weeks… but…

ONCE UPON A TIME IN VENICE, Someone Stole Bruce Willis’s Dog and There Was Hell to Pay

Private Dick, Steve Ford (Bruce Willis) is a payday to payday, making end meet investigator who enjoys the company of beautiful women, is tough as nails, and is a man of his word. His partner, the films’s narrator, is John (Thomas Middleditch), an awkward and young apprentice, who seems to often be more lucky than…

Terror TWOsdays: WTF and HANK BOYD IS DEAD

[Editor’s Note: Terror TWOsdays is my latest column, just an excuse to talk about more horror films. Notably, I’ll be hitting up two independent, lesser known, and/or underappreciated horror and horror adjacent movies. And with that, I bring you two films to fear. Stay tuned for the official intro graphic in the coming weeks… but…

Remembering Romero, Part 1: Friday Frights is Back with TWO EVIL EYES

The loss of George Romero was felt pretty deeply by us here at The Farsighted. He is one of the founding fathers of contemporary horror, and his influence is enormous. And not just in the “Walking-Dead-wouldn’t-exist-without-Romero” kind of way, either. He helped change the look and feel of horror films in very real, tangible ways.…

FANTASIA 2017: Our Very Own Lowlifes Review LOWLIFE, Part 2 – Doug’s Take

A colossal achievement in low-budget ingenuity and skill, Lowlife marks the arrival of a major new filmmaking talent in director Ryan Prows. Despite flashes of pop culture eccentricity and extreme violence, Prows breaks free of his Tarantino-esque trappings to deliver a beautifully structured, wonderfully acted and darkly comic thriller tinged with that most rare of…

FANTASIA 2017: A Brief Look at Glass Eye’s MOST BEAUTIFUL ISLAND

There’s no denying that female directors are making a name for themselves as of late, and quite frankly it’s absolutely beautiful to see. If there’s anyone that deserves major credit, it’s Ana Asensio. Not only is Most Beautiful Island a powerhouse of a directorial debut, but Ana also produced, wrote, and starred in this 80…

FANTASIA 2017: Gleeful Chaos of PUNK FU ZOMBIE is Microbudget Cinema BY Quebecers and FOR Quebecers

Everything about Punk Fu Zombie seems designed for a person of my own (delicate) sensibilities, so why did I find it such a chore? It’s a gleefully chaotic, micro budget hodgepodge of half-baked ideas, zombies, ninjas, and French Canadian politics. It’s extremely violent, packed with knowingly crummy digital effects, and has an awesome robot that…

TATARA SAMURAI Takes a Traditional Approach to Forge Its Steel

Tatara Samurai isn’t quite the martial arts extravaganza I was anticipating, but Yoshinari Nishikori’s new film was quite captivating regardless. Taking place in 16th century Japan, it’s much more of a traditional Samurai movie than I expected. In the small village of Tatara, they make a unique steel that creates exceptional swords – and as…

Finding God at the Grindhouse: Vestron’s THE UNHOLY Takes on Spiritual Warfare and the Reality of Evil

I don’t know exactly what I believe about the Devil. Fallen angel? Malicious overlord? Bullshit myth? All are highly possible. However, I know I have felt darkness and evil. I know that I have felt a heaviness that can only be described as demonic. I know that I believe in spiritual warfare… that much I’m…

Forget about Schumacher’s Batman Films, Adam West is the only true BATMAN FOREVER

Growing up on Adam West’s Batman, Christopher Reeves’ Superman, and the Saturday morning cartoons of the 1970s, I prefer that the difference between the good guys and the bad guys be pretty cut and dry. While I liked the Tim Burton Batman movies, and even Joel Schumacher’s Batman Forever (don’t hate!), I’m burned out on…

Quirky Canadian LOST IN PARIS Reminds Us That Rom-Coms Can Actually Be Funny… and Can Actually Be Romantic

For 25 years, Fiona Gordon and Dominique Abel have been collaborating in some way, whether it be theatre or the silver screen. When it comes to film and directing, there has always been another person to complete a trifecta. Lost in Paris marks the first time Gordon and Abel have branched out to become a…

The Friday Fighters Take a Bloody and Animated Trip to the SEOUL STATION

Confession Time: I haven’t seen Train to Busan yet (I know, I know). [Editor’s Note: When I read this, I can’t help but hear Luke reading this confession as if John Cusack’s below question in High Fidelity] I’m probably going about this backwards, watching the prequel first, but considering the quality of Seoul Station, I’ll…

MISERY OBSCURA is Required Reading for Punks Old and New

I loved this book and then decided I had to pass it on to the next generation of music fans. Our (second) youngest writer was the logical choice to share my love for horror punk with – well, notably the Misfits, Danzig’s post-Misfits work does nothing for me. But I digress… Even if Samhain and…

TILTing in the Wrong Direction at Tribeca 2017

Kasra Farahani’s Tilt recently played at the Tribeca Film Festival. It’s a tale about an aspiring filmmaker’s slow descent into madness after his wife has become pregnant with his child. And the key word here is slow. As in so slow that the film moves in slow-motion while being trapped in quicksand. This was a…