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  Rayanimator Reviews SLEEPAWAY CAMP 2 and MURDER PARTY

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  Phil Hall Examines THE WEIRDEST MOVIE EVER MADE

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  The Lost Art of the Concept Album: Midwest Soul XChange’s WEAKENED AT THE ASYLUM

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  SILENCIO is an Oscar Worthy Sci-Fi Drama

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  BAFF 2018: Celebrating Cult Film with SURVIVAL OF THE FILM FREAKS

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  Romanian Film Fest 2018: MIRACLE OF TEKIR is a Modern Fable About Transformation and Rebirth

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  Out Now on Home Video: ARIZONA is Bloody Good Time

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  31 Days, Day 31: OBLIVION is a Perfect Ending to the PHANTASM Series

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  31 Days, Day 30: PHANTASM 3 Now Available from Well Go USA

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  Huuuh? Episode 4: #HALLOWEEN (31 Days, Day 29)

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  31 Days, Day 29: 1963’s THE HAUNTING and the Challenge of Adapting Great Fiction

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  31 Days, Day 29: PHANTASM 2 aka “Quadruple Barrel Shotgun: The Movie”

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  Rayanimator Reviews DEMON WIND – Spoiler Free (31 Days, Day 28)

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  31 Days, Day 28: Blaine’s PHANTASM Retrospective, Part 1

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  31 Days, Day 27: THE LAST HOUSE ON THE LEFT is “Only a Movie”… or Is It?

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  Rayanimator Reviews HALLOWEEN 2018 – Spoiler Free (31 Days, Day 21)

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  31 Days, Day 18: Richard’s BHFF Experience, Part I – TUMBBAD and BOO!

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  31 Days, Day 16: Terror TWOsdays BHFF Edition – BOO! and THE CLOVEHITCH KILLER

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  31 Days, Day 15 – BHFF 2018: EMPATHY INC is BEING JOHN MALKOVICH for the BLACK MIRROR Crowd

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  31 Days, Day 14 – BHFF 2018: SLAYED Presents a Voice in Horror for the LGBTQ Community

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  31 Days, Day 13 – BHFF 2018: Identity Theft Gone Wild in Blumhouse’s CAM

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  Rayanimator Reviews HAUSU aka HOUSE 77 – Spoiler Free (31 Days, Day 13)

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  31 Days, Day 11: Patrick Grant’s Spooky and Strange Re-Release

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  31 Days, Day 10: There’s a WITCH in Josh’s WINDOW

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  31 Days, Day 8: Good Golly, Miss MOLLY

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  FSN Welcomes Rayanimator Reviews as She Discusses BODY MELT (31 Days, Day 7)

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  31 Days, Day 4: Style Meets Substance in THE GUEST

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  31 Days, Day 3: EXTREMITY Makes McKamey Look McTamey

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  Kenny Asks if AGP: SACRIFICE is More than Gore for Gore’s Sake

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  PUPPET MASTER Returns to Blu-ray with THE LITTLEST REICH

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  Science Gone Wrong Gone Scary in SLEEP NO MORE

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  Can Evrenol Solidifies His Reputation as the Architect of Hell with HOUSEWIFE

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  HEAVY TRIP: The Adventures of the Lovable Scamps of “Impaled Rektum”

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  Terror TWOsdays PUFF 2018 Edition: Witches and Devils Invade Blaine’s Living Room

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  Snider’s FOR THE LOVE OF METAL Reminds Us That Dee Can Still Rock

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  REVENGE Presents the Rape/Revenge Film Through the Eyes of a Female

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  PUFF 2018: The Festival Closes with Sexorcism, Philadelphia, and Peeping Tom

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  PUFF 2018: The Third Day is the Charm

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  War Really is Hell in RLJ’s TRENCH 11

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  North Bend 2018: Hip Hop Culture Meets Tragedy in MY NAME IS MYEISHA