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  MOHAWK, Publicity, and All That Jazz: Talking to Ted Geoghegan at Fantasia 2017

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  Fantasia 2017: TRAGEDY GIRLS is Good, but it Makes Blaine Feel Old

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  Fantasia 2017: KODOKU MEATBALL MACHINE Breaks Down, Leaving a Misshapen Meatwad

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  Fantasia 2017: FASHIONISTA is a Gorgeous Film, but Fails to Tell its Story

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  Fantasia 2017: ASSHOLES Shits the Bed

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  Fantasia 2017: Hori’s JUNK HEAD is a Beautiful Nightmare of Stop Motion Brilliance

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  Terror TWOsdays: WTF and HANK BOYD IS DEAD

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  Remembering Romero, Part 1: Friday Frights is Back with TWO EVIL EYES

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  FANTASIA 2017: Our Very Own Lowlifes Review LOWLIFE, Part 2 – Doug’s Take

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  FANTASIA 2017: Our Very Own Lowlifes Review LOWLIFE, Part 1 – Mondo’s Take

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  FANTASIA 2017: A Brief Look at Glass Eye’s MOST BEAUTIFUL ISLAND

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  FANTASIA 2017: Gleeful Chaos of PUNK FU ZOMBIE is Microbudget Cinema BY Quebecers and FOR Quebecers

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  Splatter Matters: The Ladies of SHE-DEVILS ON WHEELS Turn the Tides on HGL’s Formula of Bloodthirsty Men and Victimized Women

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  FANTASIA 2017: Waxing Canadian with EXPO 67: MISSION IMPOSSIBLE

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  FANTASIA 2017: Doug Leaves THE FINAL MASTER a Bit Unsatisifed

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  FANTASIA 2017: Graham Skipper Moves Behind the Camera for Retro Body Horror SEQUENCE BREAK

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  FANTASIA 2017: SUPER DARK TIMES is a Super Great Debut

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  It Took Me Far Too Long to ENTER THE WARRIOR’S GATE, Don’t Make My Mistake

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  TATARA SAMURAI Takes a Traditional Approach to Forge Its Steel

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  July Reading Assignment: THE GOOD, THE TOUGH, AND THE DEADLY is Your New High Octane Action Guidebook

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  BLACKHEARTS is a Different Black Metal Story

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  Finding God at the Grindhouse: Vestron’s THE UNHOLY Takes on Spiritual Warfare and the Reality of Evil

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  A Tale of Two Disneys… BEAUTY AND THE BEAST vs. BAMBI

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  Fantasia is Back… and it’s Stacked