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  FAFF 2020: The Extremely Fun SPARE PARTS is The Farsighted’s Best of the Fest

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  FAFF 2020: DJs Corey Taylor and Zach Galligan Spin Halloween Tales in BAD CANDY

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  FAFF 2020: Two New Horror Docs Screen at Frightening Ass Film Fest Part 10

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  CFF 2020: SKULL Delivers Practical Gore and Splatter in Spades

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  CFF 2020: Kinkle’s DEMENTER Reminds What Good Low Budget Filmmaking Can Be

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  CFF 2020: THE WANTING MARE Captivates and Leaves You Wanting More

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  CFF 2019: Strickland’s IN FABRIC Tackles Neo-Giallo with a Tale of a Haunted Dress

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  CFF 2019: Hitting that Sweet Spot of Existential Horror at THE DEAD CENTER

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  CFF 2019: HARPOON is a Blood Drenched Shot Through the Heart

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  CFF 2019: Heavy Metal Horrors with SADISTIC INTENTIONS

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  CFF 2019: LETO is a Different Type of Biopic

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  CFF 2019: Emile Hirsch, Bruce Dern, and Amanda Crew are FREAKS

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  CFF 2018: The British are Coming… as Ghosts… in GHOST STORIES

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  CFF 2018: Liar, Liar, SOCKS ON FIRE

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  CFF 2018: Brian Lonano’s BFF GIRLS is a Bizarro Bloody Mess

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  CFF 2018: SUMMER OF 84 is the Latest 80s Nostalgia Vehicle

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  Greg Travis Joins Blaine and Justin to Talk SHOWGIRLS, NIGHT CREEP, and More

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  CFF 2017 Presented DAVID LYNCH: THE ART LIFE

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  The BITCH of CFF 2017: Impressive, if Not Perfect

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  CFF 2017 Best of the Fest… as Far as I’m Concerned: MAYHEM and FEEDING TIME

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  Heavy Metal Horror That Takes a More Psychological Approach: THE DEVIL’S CANDY at CFF

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  CFF 2017 Presents the Allure of THE LURE: Murdering Mermaids, the Musical

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  CFF 2017 Presents ON THE SLY: Will They Find the Family Stone?

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  CFF 2017 Presents Casey T. Malone’s Short Documentary DEAD MAN’S CARNIVAL