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  PUFF 2017: Beauty, Gore, Metal, and Tits – A Day 1 Wrap Up

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  PUFF 2017: Dirty, Shitty, and Unforgettable ASSHOLES

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  RL Stine’s Latest GOOSEBUMPS Book is His Best One Yet

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  PUFF 2017: Heavy Metal Fun and Brutality, DEATH METAL Be Thy Name

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  PUFF 2017: Evil Clown Named Art Makes Pennywise Look Like Krusty in Aptly Named TERRIFIER

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  PUFF 2017: Lauren Ashley Carter Stars in Natasha Kermani’s Contemplative Sci-Fi Film IMITATION GIRL

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  Terror TWOsdays: Short on Runtime, But Not on Gore

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  The Kid in Black Recommends: Randy Kaplan’s Latest is For Kids, But Not *Just* For Kids

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  Terror TWOsdays: AGFA and Film Detective Restorations of EFFECTS and VOODOO BLACK EXORCIST

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  Kathleen Kills It on Scream Factory’s Special Edition of SERIAL MOM

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  TOBE TUESDAY: Tobe Invades Our Imaginations with His 1986 Cannon Remake of the Classic INVADERS FROM MARS

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  Thank God for Harry Guerro: Garagehouse Unearths Mickey Rooney’s Lost Slasher, THE INTRUDER

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  Terror TWOsdays: Gritty Horror on a Modest Budget

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  ONCE UPON A TIME IN VENICE, Someone Stole Bruce Willis’s Dog and There Was Hell to Pay

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  Terror TWOsdays: WTF and HANK BOYD IS DEAD

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  Remembering Romero, Part 1: Friday Frights is Back with TWO EVIL EYES

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  FANTASIA 2017: Our Very Own Lowlifes Review LOWLIFE, Part 2 – Doug’s Take

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  FANTASIA 2017: Our Very Own Lowlifes Review LOWLIFE, Part 1 – Mondo’s Take

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  FANTASIA 2017: A Brief Look at Glass Eye’s MOST BEAUTIFUL ISLAND

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  FANTASIA 2017: Gleeful Chaos of PUNK FU ZOMBIE is Microbudget Cinema BY Quebecers and FOR Quebecers

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  FANTASIA 2017: Waxing Canadian with EXPO 67: MISSION IMPOSSIBLE

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  FANTASIA 2017: SUPER DARK TIMES is a Super Great Debut

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  It Took Me Far Too Long to ENTER THE WARRIOR’S GATE, Don’t Make My Mistake

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  TATARA SAMURAI Takes a Traditional Approach to Forge Its Steel